A REVIEW OF TECHNO MUSIC

The autumn from the Berlin Wall in 1989 marked a brand new beginning that stood for hope and inclusivity. The youth arranged (usually unlawful) raves in deserted buildings including bunkers, electricity vegetation, hangars, and in some cases underground stations. The music played at these activities was primarily Residence and Techno from Detroit.�

Selected electro-disco and European synthpop productions share with techno a dependence on equipment-generated dance rhythms, but this sort of comparisons are not without contention. Endeavours to regress further more in the past, seeking previously antecedents, entails a further regression, on the sequenced electronic music of Raymond Scott, whose